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Critical Overview of Chinua Achebe's Novels Defining Women’s Roles in Nigerian Society

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"Real tragedy is never resolved. It goes on hopelessly for ever." Chinua Achebe  (1930 - ) Nigerian novelist, poet, and essayist. No Longer At Ease   While making general estimates of Achebe’s women as seen in his novels in the historical perspectives, it is better to  cover the journey of Nigerian literature particularly novel up to Achebe.  In Achebe here is a glimpse of   present   Nigeria which was once a home to ethnically based kingdoms and tribal communities before it became a European colony. It can also be traced the facts in Achebe’s novels how in spite of European contact these kingdoms and communities maintained their autonomy and how the colonial era began, and how Nigeria became independent of British rule in 1960 and how After independence Nigeria experienced frequent coups and long periods of autocratic military and how finally a democratic civilian government was established. It will also examine how in this long run of Nig

Beatrice, Achebe’s New Nigerian Women Mouthpiece in "Anthills of the Savannah"

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"An angry man is always a stupid man." Chinua Achebe  (1930 - ) Nigerian novelist, poet, and essayist. Anthills of the Savannah One of the significant themes in " Anthills of the Savannah" is the way people particularly women reacts to with political handicaps of Nigeria . The women in Chinua Achebe’s " Anthills of the Savannah " shun and resent political handicaps of Nigeria. Educated mass of Nigeria who become impotent and corrupt of ideas, either through lack of vision or will, and who are ideologically with political imperfections are almost always condemned to misery in the nations through frequent coups and unrest. There seems to be no compassion or sympathy for the nation. The people seem only concerned with their own well-being and survival. As Achebe goes through the narrative, he points to corresponding ideas on the political vision of the fictional Kangan which is none but his beloved country, Nigeria where the story is embroidered

William Shakespeare's Hamlet: Emotional Complexity of Personality and Intricacy of Plot

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 “What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me: no, nor woman neither, though by your smiling you seem to say so.”— HAMLET  2.2.317  The term tragedy or tragic drama is broadly applied specifically to literary and especially to dramatic representations of serious action, which eventuate in a disastrous conclusion for the protagonist (the chief character). More precise and detailed discussion of the tragic form properly begins with – although they should not end with – Aristotle’s classical analysis in the ‘Poetics’. Aristotle based his theory on introduction from the only examples available to him, the tragedies of Aeschylus, Sophocles and Euripides. Hamlet  opens at Elsinore castle in Denmark with the retu

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